Abstract
This essay explores the auratic and charismatic dimension of weaponry within epic discourse, analyzing how its representation transcends purely functional roles to become a vehicle for symbolic, aesthetic, and anthropological meanings. The study focuses on the seductive power of visual brilliance and metallic clangor, the concept of armor as a "second skin" or ritual mask, and the intrinsic link between the beauty of offensive instruments and their lethal nature. Ultimately, the essay outlines a "critique of weaponry" capable of revealing the cultural logics and symbolic grammars that transform instruments of death into objects of irresistible fascination and fetishes of power.

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Copyright (c) 2025 AOQU (Achilles Orlando Quixote Ulysses). Journal on Epic
